1176 Compressor Waves Mac Hardware Expansion

Strap the UnFairchild across your drum bus and use the midside setting to add excitement to your room tracks without sucking the life out of your kick and snare.

1176 Compressor Waves Mac Hardware Expansion

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Whether youre going for an aggressive, punchy sound or a tight, controlled performance, compressors help you shape transients and control dynamics to achieve the perfect sound.

When mixing drums, many engineers reach for fast-acting compressors with program-dependent release times and just a touch of saturation.

While there are many quality options out there, here are six compressors for dialing in unforgettable drum mixes.

With attack times as fast as 20 microseconds, the 1176 excels at peak limiting, making it an excellent choice for leveling out the dynamics of a performance.

This unique algorithm allows you to apply massive amounts of compression without causing unwanted pumping.

The 1176s FET circuitry and feedback design add brightness, presence, and energy to any signal.

With super-fast program-dependent attack and release times, the dbx 560A features streamlined controls for threshold, ratio, and output gain.

When using inverse-compression ratios, the dbx 560A ducks the output level if the signal exceeds the threshold, resulting in a one-of-a-kind compression algorithm.

Hard-knee mode is perfect for individual tracks like kick and snare, while OverEasy mode works well for subtle glue on the drum bus.

It features selectable ratios ranging from 1:1 to 1:infinity.

In addition to selectable attack and release times, the API 2500 features a program-dependent release setting with variable time controls for maximum flexibility.

Toggle between modern-sounding feed-forward compression and vintage feedback style compression designs with the touch of a button.

Stereo link controls allow you to use the API 2500 as a stereo or dual-mono compressor, while filter controls allow you to apply high-pass, low-pass, or bandpass filters to the link controls for mid-side processing.

No matter how you use it, it always adds a certain presence and musicality to your mix.

While it may not be as versatile as some of the other compressors on this list, the SSL Stereo Bus Compressor Module excels at clean, neutral VCA-style compression.

In addition to selectable attack and release times, it also features a program-dependent release setting thats great for adding punch to drums.

In terms of tone, the SSL Stereo Bus Compressor Module has a punchy mid-range that makes snare drums sound like theyre jumping out of the speakers.

The UnFairchild uses four paralleled Vari-Mu tubes to deliver an extremely soft-knee compression curve for a smooth, warm sound.

Six preset time constants and four variable time constants offer an array of attack and release settings suitable for any situation.

The compression ratio increases as the input signal level gets higher.

As the signal gets louder, the compression ratio increases, making the UnFairchild extremely effective at controlling dynamics, adding color, and gluing tracks together on the drum bus.